Contemporary Dance Student
Here is an example of strong willing and effort.
After falling in love with dance, he seriously went for it.
And he danced all the way to Austria.
Name: Alexander Metaxas
Age: 24
From: Piraeus, Greece
To: Salzburg , Austria
For: Study major in perfomance or choreography
In: Salzburg Experimenta
Academy of Dance (SEAD)
1. Your dance route. The beginning.
" I started my ballet training when
i was only 7 yeas old. My mother was a fan of Nureyev so she sent me to
a small ballet school. I WISH! The truth is that although she loved dance as
an art, she included nothing artistic in her children's education.. Still swim
racing was a good base i realise now.
I started taking contemporary dance classes when i was 18. It was only
after one semester in Informatics school that i had decided that i'm not a
computer geek after all (I adore computer geeks, i think they are sexy but i'm
not one...) so i was trying to find what i should do with my life.. Fortunately
one of my colleagues was Myrto Papailiou, a girl who by that time was already
in a professional dance school. She suggested me Dancce studio where there were
open classes (beginners) of contemporary
dance. My intention was to attend the classes as a hobby but after a month there
i was attending all the classes every day regardless the level... The
professional classes teachers were so scared that i would break my neck or
somebody elses neck.. I don't blame them. After 6 years of training everyday,
there is someone that has to visit the hospital occasionally because I got
hyper during improvisation... (I'm really sorry Pauline!)"
2. The experience of professional training.
"What you experience when you decide to train professionaly varies, I believe, depending on your background physically,mentally and socially... A
professional dance school is after all one more social stucture that aims to
educate people. The difference with other educational structures is that it has
to do with an art. And that's why sometimes a dance school can be like Fame and
some other times like Dantes Inferno...( It is never like Step Up... NEVER!)
In the first school i got in (State Dance School of Athens, ΚΣΟΤ) , i realised after one and a half year that physically
my body could not (back then) survive
almost 8 hours or more of intense dance training, plus my mentality could not
handle a teacher screaming in my ear to strech my knee.. Nevertheless i have
now understood that a teacher is screaming sometimes basically because you are
so spaced out while focusing in your arms for example, that you will never hear
him if he just says ''stretch your knee'' in a low voice.. The approach of the
teachers in the school I am now is very different. It is up to us to make use
of the feedback we are offered and the game is all about who gets more feedback
or even no feedback..."
3. Dance’s social aspect.
"Regarding the social structure of a dance school saying that the
interaction of students resembles what we have watched in american school tv
shows like Beverly Hills
90210 is an understatement. People are always exaggerating in both positive
and negative feelings.. You are extremely happy or on the verge of depression
every other week.. But maybe i'm
exaggerating myself now describing the situation... Even if i am, I do love all
my dance mates from both schools and (with some gradient for sure) I consider
them all friends..."
4. Highlight moments.
"First thing tha pops in mind is being applauded after our last school
perfomance..Also auditioning for Sead was a highlight since I didn't really
believe I would get in so I was just fabulous, attending an audition while i
was enjoying my spring vacation in Austria. No really the same
situation with my first audition for ΚΣΟΤ where i
almost sat on the lap of one judge after a ridiculous failed landing of a
rather decent pirouette..."
5. Significant sacrifices.
"The only thing i consider a sacrifice -since i am so determined to make
this happen that i don't feel it is a sacrifice- is spending all my life waking
up at 7 to do ballet training at 9, is that there are days that i don't get to
stay under the sun.. Especially in Austria it is still dark when we
begin classes and by the time we have finished in the afternoon it is night
again..."
6. The hardest moment.
"For sure my last month in ΚΣΟΤ. Due to unweighted factors i had to leave the school
and my whole world collapsed in a month. Good thing that life always balances
offering also well-weighted factors afterwards that you can benefit from."
7. Why so fewer male dancers compared to females
in Greece?
Is the analogy different in Austria?
"One basic reason is that art generally in Greece is not considered as worthy
to be part of our education. Girls do ballet from a young age to get nice
beautiful bodies and have the essential ''french, ballet and piano'' trinity in
their C.V. for their future husbands. Inevitably boys most of the times will be
motivated to play manly sports like soccer and learn languages to understand
what the fuck is written in their future wife's C.V. So time passes you are 17
and even if you love dancing you feel really awkard attending an open class of
ballet where you are probably the only male in the middle of young girls with
pink tights, bitchy ballerinas and in the best of occasions a very polite funny
guy in pink fluorecent leotards... (Love you)".
8. Why Salzburg?
"Because of this school. For sure I prefer any european capital because
this is the environment i was raised in; traffic, noise and pollution make me
feel like home. But having a rather popular school based in a small town in
Austria (which is a rather popular base for art schools, Mozarteum is also
here) aims to keep the students focused on their training and not the upcoming Woodkid or Beyonce concert in town... We only got Peaches last
semester...<Who cares! She is a far better Music Producer than Woodkid and
she a far better performer than Beyonce! >"
9. What is special about this dance school?
"Basically it's who is in the school which makes it special.. All my
colleagues belong to a mental istitution like me.. And for sure some of my
teachers too! One other thing is that the school is self-organised. There are
very few faculty members and everything else is organised and done by us. Our
lunch, the production of the perfomances , the maintenance of the school (
respect to the brave cleaning-team, they wake up every morning at 6!)
everything is our responsibility!"
10. The best thing to do with company in this city
"Bike riding at midnight already a bit dizzy from beer, singing all
together on our way to somewhere. We look like juvenile criminals disturbing
the public peace.. And it's not true! All of us are adults!"
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Saltzburg |
11. The best thing to do alone.
"Explore the countryside around the city... When it's sunny and green
Salzburg look like Narnia after Aslan decided to show up finally.. He is very late
this year.. Aaarghhh!"
12. The hardest thing to get used to in Salzburg.
"I would say -20 degrees but dressing like an onion solves this.. What is
really hard for me to accept is how conservative local people are.. It's just
pink shoes people, you don't have to stare at me like i'm an alien or a witch that has to be burned alive.
Seriously?"
13. The song linked with your life in this city.
Lykke Li - I follow rivers (night bike riding)
Alela Diane - Oh my mama (to wake up in morning ballet)
Arcade Fire - My body is a cage (to try to sing while you are doing ballet)
Missy Elliot - Music makes you lose control (to get hyper for a three
hour rehearsal)
Scissor Sisters - Let's have a kiki ( for every occasion that includes
alcohol)"
"Mama Nitsah's cookies ( Roni's successful buisness in our school cafe)"
15. Your furthest dream.
"To dance at least once in a piece of every famous dance company like
Rosas. And then be a happy househusband and teach dance improvisation for
children in a dance school."
16. Favourite dancers.
"Mistaya Hemmingway, Stella Zannou, Lali Ayguade, Sofia
Butela, Daniel Cloud Campos, Sidi Larbi Cherqaui (choerographer)."
17. Your personal balance among
talent-skills-expression.
"I believe that balance between those three is what one should aim for
but never achieve it.. Because if those three are balanced i believe you have a
very correct but rather listless dancer..
It's our flaws in one of them that brings out our skill in the others
and vice versa."
18. Your most usual thoughts before getting on the
stage.
- It's gonna be amazing. We will shine..
- I have no recollection of the
first three moves of the material... FUCK!
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Photos of performance by Theano Vasilaki
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